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    Special Exhibition

On Sharks And Humanity

From 29 June 2017 

On Sharks and Humanityis a powerful contemporary art exhibition co-curated by Parkview Arts Action and the Hong Kong Maritime Museum, and launched in partnership with the international non-profit organization WildAid.

With the aim of raising public awareness about the pivotal role sharks numbers play in maintaining the balance of the marine ecosystem, and the urgent need for shark conservation, the exhibition brings together 36 top international contemporary artists that have joined forces to raise awareness on the negative impact of the shark fin trade.The featured artworks also function as a unique and interactive dialogue alongside the museum’s maritime collection.The first of its kind, the exhibition demonstrates the relationship between art and society, and emphasizes the social responsibility of museums, artists and the public.

The exhibition will be held both inside and outside of the museum, as the fifth edition of a multidisciplinary exhibition that has been shown previously in Monaco, Moscow, Beijing and Singapore to great acclaim.

Pirates of the South China Sea: Chasing Cheung Po Tsai and the Port Cities

28 April to 8 October 2017

Long Gallery, Hong Kong Maritime Museum 

This exhibition will explore the development of ports and early trade routes in the South China Sea during the 16th to 20th centuries. It will provide a fresh angle on maritime history with its narrative through the eyes of pirates, with a focus on Hong Kong, then Pearl Delta River and Southern China. By exploring the locations of pirate bases such as those of Cheung Po Tsai, the exhibition will begin by tracing the development of China’s ports and trading routes from the Ming to the Qing dynasties.

The exhibition will also shed light on the evolution of shipbuilding technologies within the context of sea piracy in the South China Sea during the Ming and Qing dynasties. It will show how shipbuilding technologies and piracy were inter-influential; shipbuilding technologies were improved in order to enhance maritime safety while at the same time, the tactics of pirate attacks were influenced to counter these technological innovations.

In addition, this exhibition aims to provide a deeper understanding of the multiple concepts of piracy relative to time, place, and culture. For example, Zheng Zhilong and Zheng Changgong were considered to be pirates in the eyes of the Qing government.However, they were feted as heroes within the communities of Fujian.

The legends of local hero Cheung Po Tsai as well as the locations where he was actively based in Hong Kong’s seas will be highlighted in this exhibition. Several paintings and objects from the HKMM's collections and the Hong Kong Museum of Art will be displayed. These include a 200-year-old oil painting depicting the famous 9-day battle located at the Island of ChekLap Kok, and Tung Chung on the north shore of Lantau Island, which is close to the modern-day Hong Kong airport and Disneyland. The exhibition will also feature a digital animation showcasing the HKMM's eighteen metres long masterpiece Pacifying the South China Sea, an exquisite lego model of the local pirate scene and a giant interactive board game related to the legend of the pirate Cheung Po Tsai. Audiences will have various opportunities to learn more about Hong Kong’s successful maritime history, as well as about future port developments.

Pirates of the South China Sea: Chasing Cheung Po Tsai and the Port Cities

To See a World in a Grain of Sand: Ancient Maritime and Overland trade

From 17 May 2016 
‘To See a world in a Grain of Sand’ is an exhibition that uses a small number of objects to communicate about the extensive maritime and overland trade routes of the past. Sand is an interesting metaphor for the land and sea trade which characterised the ancient Silk Road. The objects chosen for this exhibition highlight key themes around the circulation of commodities, people and ideas across the Silk Road over time.
Inspired by the first line of the poem by British poet William Blake (1757-1827), this exhibition explores the idea that the miniature can capture the essence of the vast. For the Silk Road, this includes both the maritime and land routes and the fascinating cross-cultural exchanges on art and culture across China, Asia, the Middle East, and Europe.
This exhibition offers visitors a glimpse into the spread of decorative style, religious ideas and the development of technology that came about as a result of centuries of trade and cultural connections between China and the world. The artefacts on display include materials from different cultures related to China – far and near. They include export ceramics from China and Southeast Asia, gemstones from Southeast and Central Asia, Mongolia and the Mediterranean, Turkish saddles decorated with textile patternand ancient Roman glassware used in China. Some of the Chinese export ceramics on display demonstrate the influence of nomadic and Central Asian metalwork.